Burning Dervish

Musical Devotion

Pat Metheny: Pulling It All Together

As the 1970s came to a close, guitarist Pat Metheny was riding high on a wave of well-received albums, from his self-named Group and Trio and as a contributor to works by vibraphonist Gary Burton, bassist Jaco Pastorius and others. In 1980, he went somewhere else entirely and recorded what has come to be regarded as a landmark album, 80/81 (ECM, 1980). Featuring Metheny, tenor saxophonists Dewey Redman and Michael Brecker, bassist Charlie Haden, and drummer Jack DeJohnette, this double-album of tracks, predominantly composed by the guitarist, signaled Metheny's arrival at a whole new plane, capable of truly leading some of the best in the business, eliciting transcendent performances of captivating repertoire.

Metheny is now the elder statesmen, albeit one who continues to explore and innovate, ignoring labels like "jazz," never mind the sub-genres and splinter groups, be they avant-garde, fusion, or any other. Pat Metheny has been there, done that, often first—and, more often, better.

A generation after 80/81, 32 years to be exact, Metheny finally revisits a tenor saxophone-driven group with Unity Band (Nonesuch, 2012). Benefiting from his ongoing willingness to showcase the best young players, Unity Band is anything but traditional. There are more than enough sonic twists and turns to satisfy longtime Metheny-watchers, but plenty of entry points for newcomers, too.

Read my full interview at All About Jazz.

Matt Wilson: Have Drums, Will Travel

Drummer Matt Wilson must surely be in the running for the title of hardest-working man in jazz. Wilson is a composer, bandleader, producer and teacher. As a leader, his projects include the Matt Wilson Quartet, Arts & Crafts, Christmas Tree-O and the Carl Sandburg Project. He has been in bands with luminaries such as Joe Lovano, John Scofield, Charlie Haden, Lee Konitz, Ted Nash and many, many others. As for legends, he's played with Herbie Hancock, Dewey Redman, Andrew Hill, Bobby Hutcherson, Elvis Costello, Cedar Walton, Kenny Barron, John Zorn, Wynton Marsalis, Michael Brecker, Pat Metheny, Bill Frisell and Hank Jones. With appearances on over 250 albums as a leader, co-leader or sideman, this list barely scratches the surface.

While all of these credits illustrate what life can be like for a working jazz musician in the 21st Century, a striking aspect of Wilson's resume is his ability to move between scenes. He is comfortable (and, more importantly, welcome) with cats like Wynton Marsalis, often gracing the stage for Jazz at Lincoln Center, and more often than not he can be found downtown in a small club with the likes of Myra Melford, Joan Stiles or Noah Preminger. Regardless of the venue or situation, Wilson brings his knowledge, sensitivity and enthusiasm to the proceedings.
Read my full interview at All About Jazz.



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